post-production: tba
year: 2026
tasks: AI cleanup integration

post-production: tba
year: 2026
tasks: safety wire and harness cleanup

post-production: Parasol Island
year: 2026
tasks: combine real footage with AI / CG generated Backgrounds

post-production: Host VFX
year: 2026
tasks: Sequence Lead / Comp Supervisor

post-production: Parasol Island
year: 2025
tasks: integrate an updated packshot layout into the filmed footage

post-production: Acht (Frankfurt)
year: 2025
tasks: integrate CG car into AI environment

post-production: Hydralab (Denmark)
year: 2025
tasks: refining full CG shots, integrating CG into plate

year: 2025
tasks: tracking, label integration

post-production: benuts
year: 2025
vfx supervisor: Nicolas Corson
my part: Animating glowing mushrooms, full CG shot compositing of the mothership dropping an egg, integration of smoke, steam, glows into plates

post-production: benuts
year: 2024
vfx supervisor:
my part: combining two retimed plates of an actor kicking a boy (shot was omitted afaik and did not make it into the movie)

post-production: benuts
year: 2024
vfx supervisor:
my part: adding smoke and sparks

post-production: Host VFX
year: 2024
vfx supervisor:
my part: tracking and integrating masks on faces of real footage, tracking in DMPs onto maps

post-production: Accenture Song VFX
year: 2024
vfx supervisor: Peter Lames
my part: DMP integration

post-production: Accenture Song VFX
year: 2024
vfx supervisor: Peter Lames
my part: 2D and 3D element and set integration

post-production: Benuts
year: 2024
vfx supervisor:
my part: compositing

post-production: Benuts
year: 2024
vfx supervisor: Tristan Lilien
my part: set extension, plate integration

post-production: Benuts
year: 2024
vfx supervisor:
my part: cleanup, time warps, a few small 2D vfx effects

post-production: benuts
year: 2022
my part: set extensions, CG integration

post-production: quint-fx
year: 2023
vfx supervisor:
my part:

year: 2024
my part: cleanup

year: 2024
my part: CG integration

post-production: Accenture Song VFX
year: 2023
vfx supervisor: Emanuel Fuchs
my part: DMP, CG integration, set extensions

post-production: Trixter
year: 2023
my part: CG extensions, full CG compositing

post-production:
year: 2023
vfx supervisor:
my parts: CG integration, set extension replacements, wind and water vfx integration

post-production: tba
year: 2023
my part: cleanup, retouche, rotos, compositing

post-production: Method Studios / Framestore
year: 2023
my part: compositing

post-production: Rodeo FX
year: 2020
my part: adding fire, cleanup, retouche

post-production: Method Studios / Framestore
year: 2023
my part: compositing

post-production: Framestore
year: 2022
vfx supervisor: Ivan Sorgente
my part: set extension, CG integration

post-production: Method Studios / Framestore
year: 2022
vfx supervisor: Glenn Melenhorst, Matt Omond
my part: CG integration, set extensions

post-production: benuts
year: 2021
my part: working out the space sequence, set extensions for sea shots.

post-production: benuts
year: 2022
vfx supervisor: Ronald Grauer
my part: adding bullet hits

post-production: benuts
year: 2022
my part: compositing

post-production: benuts
year: 2021
my part: adding fire, make hands burn

post-production: benuts
year: 2021
my part: set extension, CG integration

post-production: Mackevision
year: 2021
vfx supervisor: Juri Stanossek
my part: gore, breaking vampire bones

post-production: Mackevision
year: 2021
my part: retouche

post-production: Mackevision
year: 2021
vfx supervisor: Juri Stanossek
my parts: CG integration, set extension

post-production: benuts
year: 2022
vfx supervisor: Ronald Grauer
my parts: compositing

post-production: benuts
year: 2021
vfx supervisor: Tristan Lilien
my parts: face replacement

post-production: benuts
year: 2021
my parts: In the trial scene, slimming the actress, adding texture

post-production: benuts
year: 2022
my part: compositing

year: 2021
my parts: cleanup

year: 2021
my part: full CG compositing, cleanup

year: 2021
my parts: CG set extensions, cleanup

client: Mobile Akademie Berlin
type: art installation
year: 2020 / postponed to March 2022
my part: cleanup, retouche and set replacement

year: 2020
my part: logo integration

year: 2020
my parts: cleanup and retouche

year: 2020
my part: CG integration

post-production: Parasol Island
year: 2020
my part: logo integration

director: Stefan Ruzowitzky
post-production: Benuts
year: 2020 / release 2021
vfx supervisor: Ronald Grauer
my part: matte painting animation, integration, set extensions, retouche, rotos

client: Aiways
post-production: Staud Studios
year: 2020
my part: Lead Compositor, full CG compositing

client: BMW
post-production: Parasol Island
year: 2020
my part: retouche, retimes, stabilisation, combination of takes, adding fire, sparkle particle system, cracks

director: Duog Liman
post-production: Rodeo FX
year: 2019 / released 2021
my part: vfx integration

post-production: Rodeo FX
year: 2019
vfx supervisor: Rex Alerta
my part: CG integration

post-production: Mackevision
year: 2019
vfx supervisor: Stephan Schaefholz
my part: CG compositing, keys, rotos, set extensions

post-production: Mackevision
year: 2019
vfx supervisor: Andreas Frickinger
my part: CG integration

post-production: Mackevision
year: 2019
vfx supervisor: Juri Stanossek
my part: set extensions, magical effects, CG integration

post-production: Mackevision
year: 2019
vfx supervisor: Emanuel Fuchs
my part: gore, rotos, CG integration

post-production: Rise FX
year: 2019
vfx supervisor: Jonathan Weber
my part: CG replacements, set extensions, retouche, matte painting integration

post-production: Rise FX
year: 2018
vfx supervisor: Markus Degen
my part: set extension, fire, head projection, CG integration

client: Deutsche Automatenwirtschaft e.V.
post-production: Optix Post Production
year: 2018
my part: retouche

post-production: Mr. X
year: 2018
vfx supervisor: Olaf Wendt
my part: sequence lead compositor, CG visor integration, CG space station

director: David Prior
post-production: Mr. X
year: 2018 / released 2020
vfx supervisor: Dennis Berardi
my part: set and weapon extensions, cg character replacement, gore

post-production: Mr. X
year: 2018
my part: keying

post-production: Mr. X
year: 2018
vfx supervisor: Eric Robinson
my part: muzzle flashes, blood and gore

post-production: Mr. X
year: 2017
vfx supervisor: Eric Robinson
my part: CG integration, set extensions, particle systems, lookdev

director
post-production: Mr. X
year: 2017
my part: digital compositing

post-production: Mr. X
year: 2017
my part: digital compositing

director
post-production: Mr. X
year: 2017
my part: digital compositing

post-production: Mr. X
year: 2017
my part: full CG compositing

post-production: Mr. X
year: 2017
vfx supervisor: James Cooper
my part: digital compositing

post-production: Mr. X
year: 2017
my part: retouche

post-production: Mr. X
year: 2017
my part: digital compositing

post-production: Mr. X
year: 2017
vfx supervisor: Chris MacLean
my part: atmo, fires, CG integration

post-production: Mr. X
year: 2017
my part: digital compositing

post-production: Mr. X
year: 2017
my part: compositing of the vfx of a cinema

director: Tim Burton
post-production: Double Negative
year: 2016
vfx supervisor: Andy Lockley
my part: compositing

director:
post-production: Trixter Film
year: 2016
vfx supervisor: Alessandro Cioffi
my part: compositing

client:
post-production: Animationsfabrik
year: 2016
my part: CG character integration

post-production: Double Negative
year: 2016
vfx supervisor: Graham Page
my part: compositing, look-dev

director: tba
post-production: screen scene vfx
year: 2016
vfx supervisor: Ed Bruce
my part: lead compositor

director: Justin Lin
post-production: Double Negative
year: 2016
vfx supervisor: Peter Chiang
my part: compositing

a collection of shots made with my DJI Phantom 3 drone during my trip to Madagascar and Mauritius.

director: john moore
post-production: screen scene
year: 2015
vfx supervisor: Ed Bruce
my part: compositing

director: alan taylor
post-production: double negative
year: 2015
vfx supervisor: Pete Bebb
my part: senior compositor

director: benjamin ross
post-production: screen scene
year: 2015
vfx supervisor: Ed Bruce
my part: lead compositor

director: tba
post-production: screen scene
year: 2015
vfx supervisor: Ed Bruce
my part: compositing

director: robert schwendtke
post-production: double negative
year: 2015
vfx supervisor: Ged Wright
my part: compositing

director: josh broecker
post-production: trixter film
year: 2014
vfx supervisor: Jan Stoltz
my part: lead compositor

director: ron howard
post-production: double negative london
year: 2014
vfx supervisor: Sean Stranks
my part: set extensions, keying, CG integration

director: fatih akin
post-production: mackevision stuttgart
year: 2014
vfx supervisor: Juri Stannosek
my parts: senior compositor

director: harald siepermann
post-production: animationsfabrik
year: 2014
my part: stereoscopic compositing

client: epson
post-production: mackevision
year: 2013
my part: stereo supervision / compositor

director: roland emmerich
post-production: scanline vfx munich
year: 2013
my part: compositing

director: shane black
post-production: trixter film
year: 2013
vfx supervisor: Alessandro Cioffi
my parts: compositing

director: anthony russo
post-production: trixter film munich
year: 2013
vfx supervisor: Alessandro Cioffi
my part: compositing

client: mercedes benz
post-production: mackevision
year: 2013
my part: compositing

director: maya gräfin rothkirch
post-production: animationsfabrik
year: 2013
my parts: compositing

director: noam murro
post-production: scanline vfx munich
year: 2013
my part: compositing

director: tom tykwer
post-production: trixter film
year: 2012
vfx supervisor: Alessandro Cioffi
my part: compositing

director: andrew stanton
post-production: cinesite
year: 2012
stereo conversion supervisor: Joe Pavlo
my part: stereo conversion artist

client: cbbc, zdf/zdfe
post-production: trixter film
year: 2012
vfx supervisor: Jan Stoltz
my part: compositing

client: pro7
agency: tba
post-production: trixter film
year: 2012
my part: compositing

director: j.j. abrams
post-production: pixomondo
year: 2012
vfx supervisor: Sven Martin
my part: compositing

director: scott charles stewart
post-production: trixter film
year: 2011
stereo conversion supervisor: Jan Stoltz / Dietrich Hasse
my part: lead stereoscopic conversion

director: joe johnston
post-production: trixter film
year: 2011
stereo conversion supervisor: Jan Stoltz / Dietrich Hasse
my part: lead stereoscopic compositor

client: mercedes benz
post-production: pixomondo
year: 2011
my part: compositing

director: martin campbell
post-production: trixter film
year: 2011
stereo conversion supervisor: Jan Stoltz / Dietrich Hasse
my parts: lead stereoscopic conversion

client: BWT
post-production: Pixomondo
year: 2011
my part: compositing

director: martin scorsese
post-production: pixomondo
year: 2011
vfx supervisor: Sven Martin
my part: stereo compositing

director: ian fitzgibbon
post-production: trixter film
year: 2011
vfx supervisor: Alessandro Cioffi
my part: compositing

client: ARD
post-production: südlich-t
year: 2010
my part: compositing

client: Diadermine
post-production: südlich-t
year: 2010
my parts: compositing

client: Ferrero Deutschland GmbH
agency: Tribal DDB GmbH
post-production: Animationsfabrik GmbH
year: 2010
my part: compositing

director: michel gondry
post-production: trixter film
year: 2010
my part: stereoscopic conversion

client: Ferrero Deutschland GmbH
agency: Tribal DDB GmbH
post-production: Animationsfabrik GmbH
year: 2010
my part: compositing

client
post-production: Südlich-t
year: 2010
my part: compositing

client: Ferrero Deutschland GmbH
agency: Tribal DDB GmbH
post-production: Animationsfabrik GmbH
year: 2010
my part: compositing

client: Perwoll
post-production: südlich-t
year: 2010
my parts: compositing

client: danone gmbh
agency: young & rubicam gmbh
post-production: animationsfabrik gmbh
year: 2010
my part: compositing

client: wolff brothers gmbh
agency: wächter & wächter
post-production: südlich-t
year: 2010
my parts: compositing

director: lanzelot von naso
post-production: südlich-t
year: 2009
my parts: compositing

client: steico ag
agency: fjr
post-production: südlich-t
year: 2009
my parts: compositing

client: Hexal
post-production: südlich-t
year: 2009
my parts: compositing

client: Terra Active
post-production: südlich-t
year: 2009
my parts: compositing

client: Right Guard
post-production: südlich-t
year: 2009
my parts: compositing

client: Hexal AG
post-production: Südlich-t
year: 2009
my parts: compositing

client: Wrigley
post-production: südlich-t
year: 2009
my parts: compositing

client: Ferrero
post-production: südlich-t
year: 2009
my parts: retouche, compositing

client: drife productions
post-production: südlich-t
year: 2009
my parts: idea, 3D, compositing

client: horizont e.v.
agency: wolf & motoori gmbh
post-production: südlich-t
year: 2009
my parts: compositing

client: Alpenhain
post-production: südlich-t
year: 2009
my parts: compositing

client: Bundesamt für Gesundheit
post-production: südlich-t
year: 2009
my parts: 3D, compositing

client: Lindt
post-production: südlich-t
year: 2009
my parts: compositing

client: friendscout24 gmbh
agency: sassenbach gmbh
post-production: südlich-t
year: 2009
my part: keying, rotos

client: simex gmbh & co kg
post-production: südlich-t
year: 2009
my parts: compositing

client: e+p commercial filmproduktion
post-production: südlich-t
year: 2009
my parts: compositing

client: PSD Bank
post-production: südlich-t
year: 2009
my parts: compositing

client: Alstom
post-production: südlich-t
year: 2009
my parts: compositing

client: pro7sat.1 produkion gmbh
post-production: südlich-t
year: 2009
my parts: keying / rotoscoping

client: pro7sat.1 produkion gmbh
post-production: südlich-t
year: 2009
my parts: compositing

client: dcm mitte productions gmbh
production: südlich-t
year: 2009
my parts: complete realisation

client: Sport 5
post-production: südlich-t
year: 2009
my parts: compositing

client: SCA
post-production: südlich-t
year: 2009
my parts: compositing

client: wolff brothers gmbh
post-production: südlich-t
year: 2009
my parts: retouche, compositing

client: FX Direktbank
production: Südlich-t
year: 2009
my part: compositing

client: Raiffeisen Bank
post-production: südlich-t
year: 2009
my parts: compositing

client: Calgon
post-production: südlich-t
year: 2009
my parts: compositing

client:
post-production: südlich-t
year: 2009
my parts: retouche

client: Pro7
production: Südlich-t
year: 2009
my parts: compositing

post-production: südlich-t
year: 2009
my parts: compositing

client: McDonald's
post-production: Südlich-t
year: 2009
my part: compositing

client: fx direkt bank
post-production: südlich-t
year: 2009
my parts: 3D, compositing

client: Wrigley
post-production: südlich-t
year: 2009
my parts: compositing

client: Siemens
production: Südlich-t
year: 2009
my part: compositing

client: prosiebensat.1 produktions gmbh
post-production: südlich-t
year: 2009
my part: compositing

client: oxfam
agency: serviceplan erste werbeagentur
post-production: südlich-t
year: 2009
my parts: compositing

client: Haribo
post-production: südlich-t
year: 2009
my parts: compositing

client: haribo
agency: lichtenberg & gray productions
post-production: südlich-t
year: 2009
my parts: compositing

client: mcdonalds
post-production: südlich-t
year: 2009
my parts: compositing

client: Kukident
post-production: südlich-t
year: 2009
my parts: compositing

created by: Nils Eckhardt / Moon Suk Kang
year: 2008
my parts: vfx

client: prosiebensat.1 produktions gmbh
post-production: südlich-t
year: 2008
my parts: compositing

director: Eckart Fingberg, Kay Delventhal
production: Toons'n'Tales, Animagix
year: 2008
my parts: compositing

client: DPD
production: Production Friends
year: 2008
my parts: complete realisation

client: alejandra soler
year: 2007
my parts: editing

post-production: Tatamia
year: 2005-2008
my parts: flash / after effects animation

client: Tatamia Solutions S.L.
production: -
year: 2006
my parts: idea, 3D, compositing

main focus: 3d / compositing
year: 2006

client: tatamia solutions
year: 2006
my parts: idea, 3D, compositing

festival: PSP Filmund50 Festival
production: Tick, Trick & Norbert
year: 2005
my parts: Production Assistant

client: Andreas Schäfer / Production Friends
year: 2004
my part: modeling, animation, vfx

client: edel
production: production friends
year: 2004
my parts: editing

client: production friends
year: 2004
my parts: idea, 3D, compositing

client: cool cat entertainment
production: production friends
year: 2004
my parts: editing

client: hugo boss
production: production friends
year: 2004
my parts: editing

client: pf international services
year: 2004
my parts: idea, 3D, compositing

client: edel kids
production: production friends
year: 2004
my parts: editing

client: Mont Blanc
production: Production Friends
year: 2004
animated 3d earth for an image film

client: Edel
production: Production Friends
year: 2003
my parts: 3D, compositing

client: Carlsen Comics
production: Public Toons Entertainment
year: 2003
my parts: 3d magazine, compositing

client: Stockmeyer
production: Public Toons Entertainment
year: 2003
my part: compositing

main focus: 3d, rendering, lightning
year: 2003

My final project at the SAE institute Hamburg, combining the knowledge gained in all 4 modules of the course.